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It didn’t have a very good flow to the rooms in a way that you really want for the camera. It was traditional and had a Tudor influence, but it was much, much smaller. You need a bit of relief from the traditional.ĪD: Did you look at pictures of Jordan Belfort's actual homes?īS: Yes, we did, and we scouted his actual home. After a certain point, just so you don't get tired looking at the film, you have to do a bit of theme and variation of set. The house we ended up choosing looked sort of ’80s, with that planked siding. The last office attempted to look more dignified, even though obviously they were anything but dignified.īS: For practical reasons, we were not looking in the Hamptons. We embraced the teal that was already there and added some glass blocks to make it look more overtly of the period. I decided that it would be a good contrast to the eventual handsome color palette of the last office.
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We scouted a location that probably had been renovated in the ’80s, and some of the door frames were powder-coated anodized aluminum, and some of it was teal already. Again, they weren’t completely altering the space to suit their own purposes.
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Slowly that stuff moves out and we filled it up with desks.ĪD: How did things change when the firm moved to the city?īS: It was a little harder to say what the difference between the second-to-last Stratton Oakmont or Stratton Oakmont 2, as we called it, and Stratton Oakmont 3. There was even a car up on blocks without its wheels. If you look in the background in the first scene, there are racks that still have equipment, tires, fan belts, and those kinds of things on them. We had a location that we thought was pretty great. It's not something you’d pick up in the film, but the flooring was different on the opposite side of the room, because they used to be different stores.ĪD: What about the auto body shop turned brokerage?īS: The body shop takes care of itself as written in the script. We had two retail spaces that were combined. They make a few changes as they go along and leave certain things.
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For Jordan and his wolf pack, modesty was quickly deemed overrated and more was never enough.BS: I had designed The Sopranos for many years, so I was familiar with what I refer to as the ”train wreck school of design.” When it's not a very upscale company, they don't go in and gut the space. Temptations were for the taking and the threat of authority was irrelevant. Excess success and affluence in his early twenties as founder of the brokerage firm Stratton Oakmont warranted Belfort the title – “The Wolf of Wall Street.”Money. From the American dream to corporate greed, Belfort goes from penny stocks and righteousness to IPOs and a life of corruption in the late 80s. Revered filmmaker Martin Scorsese directs the story of New York stockbroker Jordan Belfort (Leonardo DiCaprio). Here’s the official synopsis for The Wolf of Wall Street: American Hustle is now playing in limited release and opens nationwide tomorrow, December 20th. You can read Matt’s review of the film right here. It comes from a scene early in the film when the con artist duo of Christian Bale and Amy Adams first begin their courtship, and it nicely conveys the tone of the film. Russell’s comedic drama American Hustle also focuses on a burgeoning relationship. The film opens on Christmas Day.Ī new clip from director David O. A new clip from director Martin Scorsese’s dark comedy The Wolf of Wall Street chronicles the first time that Leonardo DiCaprio’s hard-partying, drug-addicted stockbroker Jordan Belfort meets Margot Robbie’s Naomi, who eventually became Belfort’s second wife. New clips from two highly anticipated awards contenders that (in one way or another) revolve around the American Dream have been released.